Talisman
Dole Age / Free SpeechARC019
- DOLE AGE
- FREE SPEECH
Originally released on Recreational Records in 1981.
Single of the week in NME and Record sleeve of the year in the very same music mag!
Reggae UK style from Bristol finest, this is the very first single.
The Line Up:
Keyboards Mr Bill Bartlett
Bass and Vocals Dennison Joseph
Guitar and Backing Vocals: Leroy
Rydim, Lead Vocals (Guidance): Des (Lazarus)
Drums: Donald
Sax: Brendan
Engineer: David Lord at Crescent Studios, Bath 1981
F.X : UK SCIENTIST
Produced by Talisman and UK SCIENTIST
By Neil Harry - Venue
Talisman are a band who should need little introduction in Bristol. It's not so many years ago that they played regular gigs locally but, as is the way with all bands, once their status increases they cease to be local.
The last time I saw Talisman in Bristol was in front of a huge audience supporting the Rolling Stones at Ashton Gate. They now play twelve to fifteen nights a month in colleges and clubs the length and breadth of the country. However, they're still very much a Bristol based outfit and since January all their 'un-gigged' energy has been spent in the Right Track studios on Redland Road.
Five months may seem like a long time to spend recording an album bur in reality it's only about forty working days. As ex-horn player and now Talisman manager Brendan Whitmore told me, 'It's essential that we take our time and produce the best album that we can possibly release at this time.'
As of yet it is unknown how the album will be released: 'We are treating all the possible outlets in a very tentative manner,' admits Brendan. The band all feel that creative independence is vital, 'We have no wish to be under the thumb of some executive in a London record company - of course we'd be interested in a recording contract if we found a sympathetic company.'
To this end the £4000 recording costs have been met by the band themselves ('A good investment,' chips in Dennis the bass player). The band have worked out a deal with the studio whereby they are only charges for running costs in return for a percentage of the proceeds when the album is released - there's confidence for you!
But how has a long period in the studio affected the music? Has it made it tighter? 'It was tight already!' retorts Dennis. 'It has given us time to explore our music,' comments Desmond (lead vocalist and guitarist.)
But has the sound changed?
Den: 'We've had to change the sound of reggae for white ears.'
Des: 'There's just more melodies, there's more to listen to. but nothing's really changed, if you pare everything away underneath there is basically a dub band.'
Den: 'Yeah, a good one. We've got our own sound. we didn't try for it, it was just there. We've always thought of our music as good semi-shit sort of thing. But we know our strengths and we're going to work on it.'
From what I've heard of the album I can reiterate the bands comments. It does have a sharper sound with a lot more instrumental work, but the playing is as heavily dependent on the beat as it is on the melody. The rhythm is certainly not inhibited by it. I was particularly struck by a song entitled 'Ah What you say' which epitomises the new Talisman. And with fifteen days recording yet to go, it's still lacking lead guitar, harmony vocal lines and brass.
What's it been like working in the Right Track?
Des: 'The coffee's shit! but there's good vibes up here. It's what everybody needs.'
Den: 'They've given us our first break here - the time to work on our music. It's good.'
What kind of response are they expecting when the album is released?
Den: 'Reggae don't get no help from the big boys (record labels) it's got to be all our own work.'
Den: 'There's little airplay. A couple of numbers here and there is no good. Reggae needs a station of its own.'
Den: 'There's a lot of stuff on the radio that's just silly rhythms (a reference to popular white reggae bands) - you don't get good rhythms and good songs nowadays. A couple of years ago the Cimarons and Matumbi were the best sounds around, to my ears, they didn't get no help and they haven't done nothing. We've just come at the right time and need the money behind us.'
Why has Talisman traditionally had a largely white following?
Brendan: 'That dates back to when I first played in the band. Most of my contacts in the business were into rock not reggae so Talisman tended to play in rock clubs where there was a white audience already. We have done all the major black clubs around the country, but in Bristol our traditional audience is white.'
Does the band resent it?
Des: 'I don't really mind it. It's rubbish to say that white folk don't understand roots reggae, some of them do. But I think that as we get heard more black folks will see we're a good band and they'll come.'
Den: 'There's a feelin' that if it's English it can't be reggae.'
Brendan: 'When our second single 'Run Come Girl' came out they were playing it continually in a record shop in St Pauls there were people asking where Talisman come from. A lot of local black people aren't in touch with the English reggae scene.'
What do they think of playing to huge white rock audiences like at Ashton Gate and Glastonbury?
Brendan: 'Playing on the same stage as the Rolling Stones was a high point in my career; the stage monitoring was incredible - you could hear everything perfectly.'
Des: 'Ashton Gate was good. We all had a good time.'
Den: (of the last Glastonbury Festival) 'You're only there to warm up the crowd. You're treated like shit. We were just chucked on virtually without a sound check If you've got a long van and everything's on castors it's great!'
Brendan: 'If your road manager had an American accent you were OK.'
Den: 'When we arrived there four years ago in a wholefood van they put us on the small stage 'cos we had bags of flour mixed in with the equipment.'
It will still be several months before the album is available in the shops - but well worth the wait.
It is likely that the band will simultaneously release a 12" single of a number entitled 'Lick 'an run' which would probably not be included in the album.
(Neil Harry - Venue)
Run Come GirlARC020
- RUN COME GIRL
- WICKED DEM
The follow single to Dole Age, again released on Recreational Records in 1981.
The Line Up:
Keyboards Mr Bill Bartlett
Bass and Vocals Dennison Joseph
Guitar and Backing Vocals: Leroy
Rydim, Lead Vocals (Guidance): Des (Lazarus)
Drums: Donald
Sax, Harp: Brendan
Engineered by Steve Street and Glen Tommey at Crescent Studios, Bath
Production by UK SCIENTIST
Takin' The StrainARC021
- TAKIN THE STRAIN
- CRIME OF PASSION
- LICK & RUN
- AH WAH YOU SEH
- LORD OF DANCE
- STRIDE ON
- I'M SORRY
- CALAMITY
- BURN THE BREAD
Guitar, Lead Vocal: Desmond Taylor
Bass Guitar, Vocal: Dennison Joseph
Drums: Donald de Cordova
Guitar: Leroy
Keyboards: Stabba Winfield
Keyboard Effects: Richard Lewis
Brass Section: Ray Colomb, Mike Crane, Steve Crane
Percussion: Richard Davis
Backing Vocals: Jennifer Allison, Sonia Smith, Walatta, Jackie Wilson and Asher
Violin: Stuart Gordon
Produced at Right Track Studios, Bristol by Talisman and Richard Lewis
Engineered by Richard Lewis
Jam RockARC022
- CALL ON ME
- DISCO QUEEN
- BIG SHIP
- CRIME OF PASSION
- ROCK FOR THE NATION
- LOOK WEH A GWAN ( GHETTO LOVE)
- JAH LOVE ( CULTURE)
- LICK AN RUN
- THOSE PROBLEMS
Originally released in 1990 on Fat n Fas Records.
Recorded in England and Jamaica, Brent Black Music Studios, Channel 1, Tuff Gong and Harry Js.
Engineers: Siddy, Soldjie, Steven Stanley, Sylvan Morrison, Ruddy Thomas
Mixed at: Tuff Gong, Dynamics and Harry Js
Mixed by: Steven Stanley, Sylvan Morrison, Mickey 'Reuben' Campbell
Talisman are:
Lead Vocals, Guitars: Desmond Taylor
Bass, Vocals: Dennison Joseph
Featuring Musicians:
Earl 'Chinna' Smith, Badness, Tata, Tarzen, Robbie Lyn, Asher Dread, Clifton 'Bigga' Morrison, Franklyn Wall, Drummer Zeb, Squiddly, Chris Meredith, Tsungie Henry, Harry T Stickie, David Madden, Chico, Nambo, Dean Fraser, Ruddy Thomas J C Lodge, Jennifer Lara, Tamlins.
Glastonbury And Beyond 1980ARC032
- Stride On
- Calamity
- Is Wha You Say
- Run Come Girl
- Dole Age
- Free Speech
- Nitty Gritty
- Nothing Change
- Slow Poison
Album recorded live from the main stage at Glastonbury Festival. Pilton, UK 1980 plus live studio radio sessions from the same year. Previously unreleased material.
The line up is the original line up that recorded Dole Age and Run Come Girl.
Live Bath 1981ARC033
- Wicked Dem
- Dole Age
- Nothing Change
- Shine On
- Free Speech
- Words Of Wisdom
- Slow Poison
- Run Come Girl
Live album recorded at Bath University 1981. Previously unreleased material.
The line up is the original line up that recorded Dole Age and Run Come Girl.
Featured Track
Talisman
Live bath 1981
Shine On
info@bristolarchiverecords.com